{"id":6784,"date":"2011-01-31T17:00:06","date_gmt":"2011-01-31T17:00:06","guid":{"rendered":"http:\/\/www.driko.org\/blog\/2011\/01\/31\/the-beauty-of-pixar-wired-posts-as-pixar-tries\/"},"modified":"2018-12-11T01:05:21","modified_gmt":"2018-12-11T01:05:21","slug":"the-beauty-of-pixar-wired-posts-as-pixar-tries","status":"publish","type":"post","link":"https:\/\/www.driko.org\/blog\/2011\/01\/31\/the-beauty-of-pixar-wired-posts-as-pixar-tries\/","title":{"rendered":""},"content":{"rendered":"<p>http:\/\/www.youtube.com\/watch?v=YD1NfCjHpag<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=YD1NfCjHpag&amp;feature=player_embedded\" target=\"_blank\">The Beauty of Pixar<\/a><\/p>\n<p><em><a href=\"http:\/\/www.wired.com\/underwire\/2010\/12\/pixar-movie-scenes\/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+wiredunderwire+%28Blog+-+The+Underwire%29&amp;utm_content=Google+Reader\" target=\"_blank\">Wired<\/a><\/em> posts:<\/p>\n<blockquote><p>As Pixar tries once again to become the first animation studio to win a Best Picture Oscar for its widely revered<em>Toy Story 3<\/em>, fan Leandro Copperfield uploaded a YouTube video stitching together 500 short movie scenes produced by Northern California\u2019s animation hit factory.<\/p>\n<p>The seven-minute compilation reel, titled \u201cThe Beauty of Pixar\u201d and embedded above, serves as a reminder that the Emeryville, California-based hive of CGI artisans has composed animated sequences for movies like\u00a0<em><a target=\"_blank\" href=\"http:\/\/www.pixar.com\/featurefilms\/abl\/\">A Bug\u2019s Life<\/a><\/em>,\u00a0<em>Wall-E<\/em>\u00a0and the\u00a0<em>Toy Story<\/em>\u00a0franchise that stand up to live-action work by Hollywood\u2019s finest cinematographers.<\/p>\n<\/blockquote>\n<p><em><a href=\"http:\/\/thedailywh.at\/post\/2505510690\/movie-mashup-of-the-day-leandro-copperfield\" target=\"_blank\">The Daily Wha<\/a><a href=\"http:\/\/thedailywh.at\/post\/2505510690\/movie-mashup-of-the-day-leandro-copperfield\" target=\"_blank\">t<\/a><\/em> also points out that Copperfield composed the excellent\u00a0\u201c<a target=\"_blank\" href=\"http:\/\/thedailywh.at\/post\/506548115\/mashup-of-the-day-brazilian\">Tarantino vs Coen Brothers<\/a>\u201d and \u201c<a target=\"_blank\" href=\"http:\/\/thedailywh.at\/post\/719230044\/mashup-of-the-day-leandro-braga-the-brazilian\">Kubrick vs Scorsese<\/a>\u201d compilation videos.<\/p>\n<div class=\"attribution\">(<span>Source:<\/span> <a href=\"http:\/\/www.youtube.com\/\">http:\/\/www.youtube.com\/<\/a>)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/www.youtube.com\/watch?v=YD1NfCjHpag The Beauty of Pixar Wired posts: As Pixar tries once again to become the first animation studio to win a Best Picture Oscar for its widely reveredToy Story 3, fan Leandro Copperfield uploaded a YouTube video stitching together 500 short movie scenes produced by Northern California\u2019s animation hit factory. The seven-minute compilation reel, titled &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.driko.org\/blog\/2011\/01\/31\/the-beauty-of-pixar-wired-posts-as-pixar-tries\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6784","post","type-post","status-publish","format-video","hentry","category-uncategorized","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/posts\/6784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/comments?post=6784"}],"version-history":[{"count":1,"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/posts\/6784\/revisions"}],"predecessor-version":[{"id":6785,"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/posts\/6784\/revisions\/6785"}],"wp:attachment":[{"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/media?parent=6784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/categories?post=6784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.driko.org\/blog\/wp-json\/wp\/v2\/tags?post=6784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}